Before I started to use my seamless panoramic technique, I always photographed nature in segments or time lapses. I always focused on how nature comes full circle and works in patterns. Clouds, waves, and seasons. I always see similar characteristics or physical patterns with in the many aspects of nature. In 2006 and 2007 I noticed that when documenting snow, water, and clouds, that the overall shapes in the photograph were all very similar. I first took diptychs and triptychs to show time lapse and later would devise a way to capture a scene in its entirety on a monumental scale.